A mother desperate to reconnect with her troubled daughter becomes embroiled in the urban legend of a demonic witch.

Actress and director Asia Argento created this mesmerising series of film shorts exclusively for SHOWstudio over the course of October 2006. The vignettes, drawing on an ad-hoc 'video diary' aesthetic but in fact painstakingly directed, intertwine reality with fantasy thanks to a script devised by Emma Forrest that confuses fiction with reality.

An improv group deals with several crises, including the loss of their lease and one member hitting the big time.

Leila is a recently divorced woman. She looks around the empty house and finds it difficult to understand that this is her life. The night before moving out, Leila wakes up to a knocking that seems to come from inside her living room wall. A man inside claims to be a time traveler from the future.

A businessman in a phone-booth is held hostage by a sniper.

The Knock is a British television drama series, created by Anita Bronson and broadcast on ITV from 1994 to 2000, which portrayed the activities of customs officers from Her Majesty's Customs and Excise. The series derived its name from the distinctive "Knock knock knock" command used over the radio to synchronise a raid.

A fashion designer and his CIA agent business partner must join forces to stop a group of terrorists from smuggling explosives in counterfeit jeans during the handover of Hong Kong.

Windy is the daughter of Mr. Barja, the owner of the Sasana Macan Arena. Life is only with his father. Windy has an affair with Dirga, a mainstay boxer from Mr Barja's Sasana Macan Arena. Circumstances that were fine, turned out to be a problem when bad news about Dirga who would betray Sasana Macan Arena circulated in his life. This condition forced Windy to be ready to face all the possibilities that would occur in his relationship with his father, also with his beloved Dirga.

Kim Seong-jun, an ordinary man who lost his job during the IMF crisis, jumps into the counterfeit goods business in the late 20th century and grows into the world's counterfeit goods king in the 21st century, not just in South Korea.